Quickstep is liver chestnut, and was made in 2008-2009.
The Scratching Foal was introduced in 1970 with the round “Breyer Molding Co.” mold stamp. In 1970 or 1971 the “U.S.A.” stamp was added, and some of these may have the “B” stamp as well. The mold was sculpted by Chris Hess and is Breyer mold #168.
The Might Tango mold has the round “Breyer Molding Co.” stamp, with some early models having the “B” stamp as well. Might Tango was sculpted by Chris Hess and is Breyer mold #3035MT.
The Sham mold was introduced in 1984 as part of Breyer’sย Artist Seriesย with the round “Breyer Molding Co.” mold stamp. In 1995 a “’95” mold stamp was added and discontinued at the end of that year, although some models with this mold mark showed up as part of the 1996ย BreyerFestย dinner model run. A “wheat ear” is located high on the molds’ chest, just below and slightly to the right of the windpipe. Originally included to match the description of the Sham from Marguerite Henry’sย King of the Wind, it was removed from the mold sometime between 1984 and 1988, likely in late 1984. Sham was sculpted by Rich Rudish and is Breyer mold #410.
The Arabian Stallion (or Classic Arabian Stallion – CAS) has the round “Breyer Molding Co.” mold stamp and the “U.S.A.” stamp, with some models also having the “B” stamp. The Arabian Stallion was sculpted by Maureen Love, originally forย Hagen-Renakerย as “Ferseyn,” and is Breyer mold #3055ST.
Stow your special holiday treasures in this keepsake ornament, made by Breyer. A porcelain and dainty ornament to make the perfect addition to your tree around the holidays.
Keepsake locket bottom
Gold horseshoe clasp
3″x 4″
Breyer 2008 ornament
Used; Very good condition. One bird appears to have fallen off in the past, but has since been repaired.
Breyer #35 The Fighting Stallion, King, 1961-1987.
Excellent condition. There are some spots that look like someone tried to go over him with a paint brush? The worst spot is pictured, looked like someone tried to highlight some detail, but you can’t really tell unless you’re really looking at it.